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Oft compared with gloomy breakbeat industrialists Scorn and Techno Animal, the dubbed up drum'n'bass of Witchman has as much in common with jungle paranoids Nico and Ed Rush and the gothic techno of Disjecta and Meat Beat Manifesto. Combining heavy, space-filling drum sequences -- alternately split- and double-time -- with piles and piles of effects units and daubs of ominous synth patches, Witchman lies somewhere near the intersection of Jamaican dub, early hip-hop, ambient, and the darker side of bleep te... Read More

Dead Can Dance and Swans